If you ask most writers what their favorite part of the writing process is, most would probably say worldbuilding, or plotting, or maybe drafting. Scant few would say editing and revising, in fact, many would probably say they dread editing, and why shouldn’t they? Editing has a reputation for being boring and tedious. Some people even farm the whole process out to others, paying editors to polish their manuscripts before they’ve ever crossed an agent’s desk. And yet, this is hands down my favorite part of the writing process.
I’ll confess, as a pantser, for me editing and revising is a slightly different process than it is for someone who outlines religiously. For a pantser, editing is often where you take the story that you’ve written and embellish, adding detail or, filling plot-holes and consistency issues. You know the characters and the story better, and you can shape your manuscript and watch it become the book you envisioned.
Sometimes, distance from the original material gives me new perspective. During the editing process a number of things became clear about my manuscript. I realized, for instance, that I’d started at the wrong point in the story, and wrote two new chapters earlier in the narrative. I realized that I’d made one character’s journey needlessly complicated, and that I could get her to the same place with one easy change. There are some simple and elegant ideas that didn’t come to me while drafting, but which, given a bit of distance, now seem obvious. Those sorts of revelations are the best.
I don’t mind the nitty gritty of editing either. I’ve always been a bit of a language nerd. Aside from English, I’ve learned four different languages, and I treat each one of them as a bit of a puzzle. English itself is no different. The editing process for me is like moving around pieces of a puzzle, trying to make each piece fit exactly right. For me, questions of syntax, including sentence length and word order, are simply a part of the puzzle. When I get the order correct, the sentences go from plain functioning words to a whole that is more than the sum of its parts.
I don’t even mind cutting. I’ve always taken somewhat of a scorched earth approach when it comes to editing, and I generally resist sentimentality about my scenes. Since I’m an overwriter rather than an underwriter, I always relish the opportunity to cut length. While I have a discard folder where my favorite scenes live forever in posterity, I find that when I cut, the new version soon becomes just as beloved as the old.
Some writers seem to have an aversion to editing, perhaps based upon attachment to the first draft, or perhaps because they don’t really know where to start. Luckily I have excellent critique partners who are happy to point out the issues with my manuscript, and what’s more, who are happy to discuss the craft of writing with me and brainstorm all of the ways that I can make my story better. When I talk about the changes I want to make to my manuscript, I get excited about making those changes. I can see the potential there on the page, waiting for me to unlock it.
Editing is truly the part of the process where I see the manuscript transform into something that I can truly call a “book.” I won’t call it magic, since it is more satisfying than that. Each change that I make, each little tweak of the language or change to the story, each chapter cut or line of dialogue added, brings the book one step closer to completion. Editing is hard work of the best kind, like taking a good hike up a mountain trail, or a long swim in the ocean on a hot day, the kind of work that leaves no doubt about the worth of the task.